06-22-2020, 07:40 AM
How would you go about pulling all those extreme darks many, many stops into "the light"?
And what kind of scene, according to you, would have/need high dynamic range? And which amount of "shadow pulling" would you deem sensible?
If you are bored, you are free to do with your time as you please, but there are numerous sources which "measure" the difference in DR in RAW, and the point of what is tasteful or sane in respect to shadow pulling, tonal mapping, and the manner one should go about that, differs so much from specs fetishist to gear head to photographer to artist, that it will be rather pointless, it will not bring together different camps in any way.
And what kind of scene, according to you, would have/need high dynamic range? And which amount of "shadow pulling" would you deem sensible?
If you are bored, you are free to do with your time as you please, but there are numerous sources which "measure" the difference in DR in RAW, and the point of what is tasteful or sane in respect to shadow pulling, tonal mapping, and the manner one should go about that, differs so much from specs fetishist to gear head to photographer to artist, that it will be rather pointless, it will not bring together different camps in any way.