12-03-2013, 11:37 AM
(This post was last modified: 12-03-2013, 11:38 AM by Klaus.)
This is a 700AUD lens - thus I'd say "prosumer class".
And now guess what ... the guy told me that it was "just not worth to repair it" so I'm getting a new one instead (note - from the outside it was in pristine condition). While I surely appreciate the exchange, this is nuts - another user told me the same story regarding his sample.
Now there are three options here I'd say:
a ) the first production batch was a complete mess (best option)
b ) such lenses aren't even manufactured based on a serviceable design
c ) the service costs are higher than the costs for a new lens
Folks, this is the state of the industry that we are all feeding with our money.
What a shame... :wacko:
What were the most visible issue with your lens? At this point I've figured out this scheme: as soon as I get a lens I run a quick test (in function of my limited capabilities and testing equipment); if it's really wrong I ask for a replacement; if it's outside the tolerance, but not terrible, I ask for a repair, for fear of getting a copy that's even worse...
But this is absurd for prosumer stuff.
stoppingdown.net
Sony a6300, Sony a6000, Sony NEX-6, Sony E 10-18mm F4 OSS, Sony Zeiss Vario-Tessar T* E 16-70mm F4 ZA OSS, Sony FE 70-200mm F4 G OSS, Sigma 150-600mm Æ’/5-6.3 DG OS HSM Contemporary, Samyang 12mm Æ’/2, Sigma 30mm F2.8 DN | A, Meyer Gorlitz Trioplan 100mm Æ’/2.8, Samyang 8mm Æ’/3.5 fish-eye II | Zenit Helios 44-2 58mm Æ’/2
Plus some legacy Nikkor lenses.
The lens was fine in the middle range.
However, it was decentered at 55mm (one sided softness).
Beyond 150mm the borders were extremely soft (albeit symmetrical) ... when deactivating the OIS.
With activated OIS, the result was an image soup.
At one occasion, the zoom mechanism jammed blocking at 60mm and 150mm.
It was the worst ever lens out-of-the-box in my history.
i think you are referring to the Fuji 50-230mm with those prices (which should be in next week).
You know what surprises me ? Japanese cars are boring but rock solid. The car industry is certainly as competitive. Why can't they deliver the same level of manufacturing sophistication in the photo industry ?
After the recent experience I am back to MFT.
MFT can also be problematic. Last year I bought a Pana 20/1.7, which was a bit soft on the right side. It was sent back to Panasonic. After almost two months I got a new sample and this one performed better.
This autumn I bought a Pana 45-150 which was miserable. At the short end the left side was soft and at the long end it was better but absolutely not perfect. I sent it back last week (with sample photos), so now just to wait and see what happens.
Göran